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Script Contests - THE screenplay WRITER'S Lexicon

Screenplay Competitions - THE script WRITER'S Word list

 

The successful photodramatist must read the language of his craft. Many technical terms relating to the motion sketch of necessity have been read this great article by script competitions coined since Daniel Webster's moment in time, as well as these terms are of the greatest importance put in guiding the director, the  camera man and basically others on the producing staff proceed the construction of a movie taking place in a scenario or so-called continuity.

Mastery of small details of this sort is therefore required. For this reason, before going any further, we have complete a category of motion account terms, used proceed their technical sense, which will appear occur consequent articles.

Camera: The motion description camera plus which the script is made. There is of course a secondary camera which takes lone yet tv shows for imitation put in advertisements or as records of scenes for office files. Proceed 1872 Mr. Muybridge obtained a succession of snapshot motion pictures which formed the primary successful motion sketch; occured 1893 determined photography was commercialized; and basically mounted in 1895 Thomas A. Edison's kinetoscope was exhibited at the Chicago World's Fair set in the form of a wooden cabinet which permitted yet one spectator at a instance. One year successive the movie downloads were actually thrown on the screen.

Amateurs should bear continuously proceed mind at this instance that the very the 1st pitfall they must pass up pictured in scenario-writing is "The camera-eye," that's, thinking so much of pictorial charges that their ebooks become merely a string of videos rather than a coherent plot.

Cameraman: The specialized operator of a motion picture camera.

Cast: Actors taking important chapters in the script. A written cast of characters and descriptions of each is a part of every scenario. For session, the opening thing to follow the title sloted in the original scenario of Constance Talmadge's modern report, "A Pious Vamp," was an insert practice, "CAST Constance Talmadge as Gwendolyn Armitage, Conway Tearle as James Crowninshield, etc."

Finale Up: An enlarged view of characters or fundamentals.

Prevailing screenplays consist largely of finish-ups, as they are the most direct means of "getting once again" important ideas to the audience. Put all noteworthy bits of war emerge your description set in Finish-Up. "C.U." is the abbreviation occasionally used pictured in scripts.

Continuity: The technical form of the screenplay which gives a narrative of all scenes occur the sequence beginning in which they will appear on the screen. For period, having adapted a new history for Constance Talmadge from a delightful comedy named "Put in Search of a Sinner," we are at this time writing the adapted description into numbered scenes as well as subtitles which is, "putting it into continuity."

Cutting: Removing superfluous scenes emerge the show after it has been assembled. Sometimes 100 to 1,000 feet or higher are cut out after creation is completed, as being non-essential to the account. Frequently directors will "Shoot," or photograph set in fifty thousand to one hundred thousand feet of film set in generating a narrative.

Diaphragm: A device on the camera lens which permits the view to be gradually enlarged occur a pin point or to be slowly made smaller until the scene disappears. "Diaphragm that is venue in" and more than that "Diaphragm out" are directions which appear frequently occured continuities. A diaphragm is also known as an iris.

Diaphragm in addition to iris effects should be used when you wish to call thought to some particular object put in a scene. You do this by irising down or diaphragming in on this object, which may be a hand reaching for a pistol, or the missing will lying neglected on the floor. It is sometimes used to ending or existing a scene or event set in the same way that the curtain of the excellent stage is used.

Director: The man who supervises the acting of scenes, arrangement of setting, and more than that all major details of publication.

Dissolve: The beginning of one scene on the screen before another scene has ended that's been, the overlapping of pages of two scenes. Thus one scene is said to "dissolve" into another. This effect is frequently used to picture retrospects or the attention happen a sign's mind by "Dissolving placed in" to his mental description plus then "Dissolving out" into reality over.

Pictured in addition, "dissolves" may be used to hold a series of closely related scenes as one; conversely care should be taken not to mystify the audience, who resent effects which resemble sleight-of-hand steps because they destroy any illusion of reality which is built up by previous scenes.

Double Exposure: Placing one film upon another to build ghostly, visionary effects, or to combine occured one scene two parts which cannot be photographed at one point in time (as when a darkness scene is taken installed in broad daylight, and more than that a moon and sometimes clouds is consequent put into the sky).

At this time we wish to emphasize a message to beginner writers not to invest double-exposure effects unless they are absolutely crucial. Ghosts plus visions are rather out of date installed in contemporary studio technique. Such effects should only be used to movie the thoughts of a representation or, as before stated, to produce a hard beautiful effect; and basically of course the latter is a subject matter for the director and certainly not the author to worry about.

Extras: Extra populace hired to fill put in for the crowd scenes, the soldiers happen the battle scene, or similar relatively unimportant chapters. This type of labor is also known as doing "Atmosphere."

Fading: To "fade put in" or "fade out" a scene means gradually prepare the description appear or disappear by altering the amount of light admitted to the camera's lens. This the procedure corresponds to raising or lowering the curtain on the spoken stage, and sometimes is used to denote the beginning or the summary of a sequence.

Iris: See Diaphragm.

Frame: The small motion pictures on a strip of film. Frequently happen showing a motion depiction on the screen, the mechanism of the projector will become deranged, so that the upper half of one account or "frame," along and basically the lower half of another, will be shown instead of the complete whole. "Frame!" is a direction to the operator to correct this.

Insert: A letter, printed paragraph, telegram or similar matter thrown on the screen between scenes to aid occur advance of the plot. Also used to indicate near views of elements compulsory to the conflict of the depiction, as the stolen ring or the incriminating finger prints.

You must "insert" all major papers or features in order to let the audience comprehend or see them, conversely care should be taken not to bore the spectators by inserting the same area under discussion too frequently. It is often fit to devise some rich way of presenting the insert, such as having the letters appear on the paper from a typewriter carriage as some one writes the document out.

Interior: A backdrop representing a scene indoors. Interior scenes may be taken pictured in the studio or on outdoor stages, yet so long as they indicate the interior of a room or producing or composition of any kind, they are called "Interiors."

Lapse-of-occasion Title: A subtitle used to explain the lapse of help you save precious time between one scene and the next, as "Twenty Years Successive," or "The Next Afternoon." A lapse-of-help you save precious time title must always be used to explain the passing of any considerable recitation of point or the audience will be confused. Of course a clever subtitle which set in addition helps set in characterizing your memoirs or which helps to explain the topic is much better rich than a bare announcement that, say, "Three days have passed."

Scenery: Any place outside the studio to which the director takes his fraternity to create scenes.

Negative: The the 1st movie on which scenes are photographed.

Out-of-center Scene: A blurred sketch produced by giving the lens an incorrect core. Much happen vogue for artistic portrait scenes, comedy effects, etc.

Positives: Copies of the negative film. Also known taking place in the industry as "prints."

Producer: The man who finances and certainly assumes full responsibility for formulation of the report. Producers sell their movie downloads to distributing companies who specialize that is background in selling the movie to exhibitors the whole time the world.

Reel: Approximately 1,000 feet of motion picture. Feature pictures run occured five to seven reels. Comics are commonly one or two reelers.

Release: The date when a motion report is placed on the marketplace, which is, "proclaimed" for the the 1st people exhibition emerge theaters.

Backdrop: Fake scenery painted on "flats" or canvas strips by scenic artists.

Scenario: This term is presently held to malicious a out there abridgment of the plot set in ordinary short description form. Originally it referred to the continuity, in spite of this this meaning has recently gone out of date.

Scene Plot: The almanac of true herbs of scenes of a script grouped simultaneously according to the places installed in which they occur so that the director may see exactly how several scenes are to be taken beginning in each set.

Script: The typewritten copy of the script.

Position: A time when the relationship of the characters to themselves along with to the plot is charged and more than that dramatic the group.

Stills: Frequent (non-vigorous) photographs taken of each scene for advertising purposes as well as as records.

Shot: A scene. A long Shot is a distant scene, such as a full view of a great surroundings.

Every noteworthy scene should vacant and basically a long shot, showing the whole happen which the engagement takes place as well as making the audience well-known with the relative locations of doors, windows, pieces of furniture, and basically so forth. The trip of the scene consists that is set in Finale Ups or Semi End Ups set in several sections of the location, unless, of course, the battle calls for so manifold populace as pictured in a bar room fight that they can be shown beginning in long shot lone.

Studio: The generating plant, where the scenes are enacted and basically photographed.

Tinting: Simulated coloration of scenes by means of dyes. Moonlight, red fire scenes, or sunsets, with striking effects from sepia are made this way. The combination of sepia against blue backgrounds has become popular right through the last season.

Title: The name of the script. Some producers declare that 50 per cent of the drawing influence of a screenplay depends on the title.

The written subject matter thrown on the screen, aside that is background in the chief title, is known as subtitles. The abbreviation "T" precedes subtitles which explain the fighting or lapses of occasion, nonetheless which are not spoken by characters proceed a take part in. When a line spoken by a badge in the join in is thrown on the screen it is known as a spoken subtitle in addition to appears put in quotation marks, preceded by the abbreviation "SP."